Cut Valet is a desktop post-production assistant for macOS and Windows. It ingests your cards, backs them up, and organizes every clip; hands you advanced editing tools for DaVinci Resolve; and when the edit's done, publishes the finished video to your YouTube channel. The cut stays yours.
Park your footage, pick up the cut.
Cut Valet ingests, backs up, and catalogs every clip, then makes your whole library searchable, so the right shot is always seconds away.
Drop in a card and Cut Valet copies it to your working drive and a backup at once, with checksum verification so you know every frame arrived intact.
Clips are sorted by project and date, named consistently, and filed where they belong, so your folders make sense the moment ingest finishes.
Every clip is transcribed and cataloged, so you search your entire library by what was said or what's in the shot, then pull the matches straight into Resolve as bins or a timeline.
Tag clips as you review them and your footage becomes a compilation engine: every "golden hour" or "b-roll" shot you've ever tagged, one search away.
Cut Valet connects to DaVinci Resolve Studio and works on the project you already have open. Every cut, grade, and music drop lands on your actual timeline, not a copy. You trigger a tool and refine the result; nothing runs on autopilot.
Tell it who the video's for and what it's about, and it plans a first cut from your transcripts and footage, trims the dead air, and you review every beat before it builds in Resolve.
Preset speed ramps on the clip under your playhead, for smooth slow-mo and punch-ins without fiddling with keyframes.
Browse or generate a bed that fits your edit and drop it onto a dedicated Music track in one move.
Describe a graphic or lower-third and it's generated and dropped onto your timeline, ready to tweak.
Save numbered versions of your timeline as you go, so you can always roll back, so no more "final_v7" folders.
The toolbox is modular: turn tools on as you need them, or write your own and it slots right into the app.
Transcription, clip descriptions, tagging, and search run on open-source models on your own hardware. That expensive GPU finally earning its keep. Out of the box, nothing leaves your machine and it all works offline.
Cloud AI is optional, and it's two different things. Short text jobs (titles, descriptions, rough-cut planning) run on your own Claude key and cost very little. You can also point clip analysis itself at a cloud provider instead of your own hardware, which is the right call on a modest machine but is not pennies: it uploads frames from every clip, so a full shoot adds up. Local is the default, and it's free. Built-in controls let you pick the model and cap what you spend.
All of that analysis lands in an open markdown file right beside each clip: camera and lens metadata, a written description of the shot, a timestamped timeline of what happens, the full transcript, your tags.
That's the future-proofing: no lock-in, no proprietary database. The more your archive knows about each clip today, the more useful it is to every tool and every LLM that comes next, including ones that don't exist yet.
Buy it once and it's yours. The 500 Founders Edition copies at $25 are gone, so the price has taken its first step up. It keeps climbing, in public, on the schedule below.
Charged as CA$67 CAD (≈ US$49). Instant digital delivery: your licence key and download for macOS (Apple Silicon) and Windows are emailed right after checkout. Secure payment & global tax handled by Lemon Squeezy. Covered by our 14-day money-back guarantee.
Same app at every step. Early support just costs less. You pay at one step, once. These aren't stages you buy through.
Pay $49 today and you still get the $79 and $129 versions as they ship. No upgrade fees, ever. Backing it early just means you paid less for the same app.
One exception. If Blackmagic changes Resolve's scripting language in a future major release (Resolve 22 or beyond), the integration has to be rebuilt from scratch, and that one case may carry a paid upgrade. Everything else stays free, and you'd hear about it well ahead of time.
The actual to-do list, in public. No dates, shipping fast to get feedback quick!
Order changes when something turns out to matter more. Everything here is included in the price you paid.
No, sort of. Ingest, verified backup, organization, and the searchable catalog all work on their own, so Cut Valet is useful the moment you install it.
But the editing tools, rough cut, auto cut, music to timeline, and timeline versioning, all drive a real DaVinci Resolve project. Without DaVinci Resolve Studio specifically, you'll be missing the majority of what the app does. If you edit in Resolve Studio, you get everything. If you don't, you're using a fraction of it.
No. It's an assistant. It handles the footage management and gives you tools that build a starting point, but every creative decision and the final cut are yours, made on your own timeline.
No. Cut Valet is a one-time purchase. Pay once during beta at the discounted price and it's yours, including beta updates. No monthly or annual fees.
No. You pay once, at whatever it costs the day you buy. The steps are just what new customers pay later. Grab it at $49 and you get the $79 and $129 versions too, free. The only exception is a rebuild forced by Blackmagic changing Resolve's scripting language, which may carry a paid upgrade.
Not by default. The heavy processing runs on open-source models on your own machine, and the text features (titles, descriptions, planning) send small amounts of text on your own API key, so those costs stay very low.
The one thing that can get expensive is switching clip analysis from local to a cloud provider. That sends frames from every clip you analyse, so the cost scales with how much footage you shoot, not with how often you press a button. It is off unless you choose it, the app shows you what you are spending, and you can cap it.
macOS 13 (Ventura) or later on Apple Silicon (M1 or newer), or Windows 10/11 (64-bit). Cut Valet is built to sit between your cameras and your editor on either platform.
Intel Macs are not supported, and there is no workaround. The Mac build is compiled for Apple Silicon only, and the local AI stack it depends on no longer ships for Intel Macs at all. Rosetta does not help here: it lets Apple Silicon run Intel apps, not the other way round. If you are on an Intel Mac, use the Windows version on a PC, or email me for a refund.
The app itself is about 1.5 GB, plus the local AI models it downloads once on first use (transcription and clip analysis run on your own machine). For the editing tools you need DaVinci Resolve Studio 21 or newer; the free version of Resolve lacks the scripting API, and ingest, backup, and organization all work without Resolve entirely. A Claude API key is optional and only used for the AI text features, with your own key.
Memory. Cut Valet adapts to your hardware: it picks the largest local analysis model your machine can hold, so it runs on modest machines but sees more with more. Honest numbers: on a Mac, 16 GB of unified memory is the practical minimum for local analysis, 32 GB is what we recommend, and the highest-quality local model really wants 32 GB with headroom to spare while you edit. On Windows, local analysis needs an NVIDIA GPU: plan on 12 GB of VRAM for the balanced model and 24 GB for the highest-quality one, and even that is snug with Resolve open. With less than that (or no NVIDIA GPU) the app falls back to a lighter model or the CPU, which works but is slow, and the cloud analysis option becomes the better choice. Graphics render on the GPU when one is available and fall back to software automatically.
Your footage files stay on your own drives. They are never uploaded anywhere, and transcription, tagging and search always run on-device.
Two things can leave your machine, both only when you choose. Text features send small excerpts (a transcript snippet for a title, say) to your AI provider. And if you switch clip analysis from local to a cloud provider, Cut Valet sends sampled still frames from your clips to that provider so it can describe them. Local analysis is the default and sends nothing.
For almost everyone: no. Cut Valet's graphics are rendered by Remotion, and Cut Valet's own Remotion licensing covers the app. Picking templates, filling in fields, and AI-generated graphics never expose you to Remotion at all.
The exception is the template code features: opening a template in Remotion Studio, importing your own .tsx, or exporting a template's code. Those hand you actual Remotion source, which makes you a direct Remotion user. That is free for individuals and companies of up to 3 people, while larger organizations need their own Remotion license. These features are off by default and the app explains this before unlocking them.
When your edit is finished, Cut Valet can upload the video to your own YouTube channel and set its title, description, chapters, thumbnail, and captions. This uses Google sign-in with YouTube upload permissions that you grant explicitly. Cut Valet only touches videos it uploads for you, and you can revoke access anytime from your Google account settings.
The cut is yours.
The chores are ours.
// the whole idea behind Cut Valet